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A dusty, dreamy Hawaii rife with sexual frustration, loneliness and adolescent heartbreak is the setting for your nine stories of Hemmings's bold debut collection. Misery adores company in "Final Girl," through which an individual mother discovers a pornographic magazine in her 13-year-old son's room and turns on him despite herself, wishing he previously much more of "that character-developing sadness. Instead, he's a youngster who sings in the car." In the title story, intrepid preteen Kora is anxious to suit into her clique of Lolitaesque teenage friends—island girls "doing bad things in pretty places"—and is frightened of losing her best friend, Wendy, when Wendy's delinquent brother, Perry, resurfaces. In "Begin by having an Outline," a girl is haunted by her imprisoned father, a notorious drug dealer; in "Island Cowboys," embittered, indebted Pete covets his brother's easy prosperity and finds forbidden solace as part of his niece. A 16-year-old boy pines for his social-climbing nanny in "Secret Clutch," just to discover she has taken up together with his wealthy father; a teenage girl and her father's mistress create a disturbing bond in "Location Scouts." At times Hemmings steers her troubled protagonists in predictable directions, but overall these are fresh, acerbic tales, offering a distinctive perspective on everyday activity in a very vacation paradise. Agent, Witherspoon Associates. (June 20)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Just since the individual land masses that will make up the Hawaiian Islands are worlds unto themselves, so, too, are the characters Hemmings depicts on this penetrating exploration from the nature of families as well as the individuals who fit in with them. Disappointment and isolation, frustration and regret inform each story's conflict, whether or not this can be a father unprepared to raise his 10-year-old daughter while her mother lies in a very coma, such as "The Minor Wars," or a pack of teenage girls flirting with independence in "House of Thieves." Hemmings takes her characters' cues from the composition in the islands she knows so well, their volcanic cores smoldering just beneath the surface, either expected to lie dormant or vulnerable to violent outbursts. Set from the tropical backdrop of sun, sand, and surf, Hemmings' stories are typical the greater surreal for perceptive juxtaposition of tumultuous emotions within this type of seemingly benign paradise. With a dynamic and imaginative voice, Hemmings infuses her stories with keen insight, and lavishes her characters with profound empathy. Carol Haggas
Copyright © American Library Association. All rights reserved
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