Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no one else remains safe and secure either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as being a trilogy. Did it really end the way you planned it through the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc from the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process.

Q: We understand you worked on the initial screenplay for the film to become according to The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. If you are adapting a novel in to a two-hour movie you can not take everything with you. The story has being condensed to suit the new form. Then there is the question of how best to take a novel told within the first person and offer tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss for a second and therefore are privy to any or all of her thoughts so you will need a way to dramatize her inner world and to produce it possible for other characters to exist beyond her company. Finally, there is the challenge of how you can present the violence while still maintaining a PG-13 rating so that your core audience can view it. A large amount of things are acceptable over a page that would not be on a screen. But wait, how certain moments are depicted may ultimately be in the director's hands.

Q: Are you currently in a posture to consider future projects while working on The Hunger Games, or are you immersed inside the world you are currently creating so fully which it is just too challenging to consider new ideas?

A: I've a number of seeds of ideas going swimming within my head but--given a whole lot of of my focus continues to be on The Hunger Games--it will probably be awhile before one fully emerges and I can start to develop it.

Q: The Hunger Games is once a year televised event in which one boy and something girl from each from the twelve districts is forced to participate in the fight-to-the-death on live TV. What do you think the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are generally unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, so that after they see real tragedy playing out on, say, the news, it doesn't have the impact it should.

Q: In the big event you were forced to compete in the Hunger Games, so what can you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I utilized to be trained in sword-fighting, I guess my best hope would be to acquire hold of a rapier if there was clearly one available. But reality is I'd probably get about a four in Training.

Q: What do you hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how elements from the books might be relevant within their own lives. And, when they are disturbing, what they might do about them.

Q: What were some of one's favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but now it can be for world control. While it is really a clever twist on the original plot, this means that there's less focus for the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by showing her despair both at those she feels in charge of killing and and at her own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to a unsure go back to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each and every of the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.








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